Marina Abramovic

"Abramović sought to re-evoke the energy of extreme body pain, in this case using a large petroleum-drenched star, which the artist lit on fire at the start of the performance. Standing outside the star, Abramović cut her nails, toenails, and hair. When finished with each, she threw the clippings into the flames, creating a burst of light each time. Burning the communist five-pointed star represented a physical and mental purification, while addressing the political traditions of her past.In the final act of purification, Abramović leapt across the flames, propelling herself into center of the large star. Due to the light and smoke given off by the fire, the observing audience didn't realize that, once inside the star, the artist had lost consciousness from lack of oxygen. Some members of the audience realized what had occurred only when the flames came very near to her body and she remained inert. A doctor and several members of the audience intervened and extricated her from the star.Abramović later commented upon this experience: “I was very angry because I understood there is a physical limit: when you lose consciousness you can’t be present; you can’t perform.”

Earth project

My Art project was earth project. First I look at a plant that had more leaves. Second I found some sick because i will put it over the plant.Third thing i found was a cardboard in my room.Fourth thing was get some water because I will put over the cardboard.The finish results was get water to the plant.

Andy Goldsworthy

"Photography plays a crucial role in his art due to its often ephemeral and transient state. According to Goldsworthy, "Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit.The materials used in Andy Goldsworthy's art often include brightly-coloured flowers, icicles, leaves, mud, pinecones, snow, stone, twigs, and thorns. He has been quoted as saying, "I think it's incredibly brave to be working with flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole." Goldsworthy is generally considered the founder of modern rock balancing. For his ephemeral works, Goldsworthy often uses only his bare hands, teeth, and found tools to prepare and arrange the materials; however, for his permanent sculptures like "Roof", "Stone River" and "Three Cairns", "Moonlit Path" and "Chalk Stones" in the South Downs, near  he has also employed the use of machine tools. To create "Roof", Goldsworthy worked with his assistant and five British dry-stone wallers, who were used to make sure the structure could withstand time and nature."

Farm Lab

The Farm Lab wasn't interesting because it was under a freeway. It was May 14 2011 on saturday morning i went to the farm lab.The farm lab image are great because it was understand the freeway.

The first image describe nature part of human being in the world.
The Second image describe about water in the farmer grow grain.
The Third image describe about bag of water to help poor people live.
The Fourth image describe about engine growing  a plants.

 

Cacophony Society

"The Los Angeles group splintered in late 2000 when longtime leader Reverend Al declared a "bold new direction" for the branch and allegedly joined an Orthodox Christian community out of guilt over the deaths of two young Cacophonists who reportedly died in a drunken post-event car accident (though one of the men eventually turned out to be completely fictitious, and the other, Peter "Mr. Outer Space" Geiberger, was discovered some months later, alive and well and quite amused at tumult resulting from his 'death'."

 On September 13, 2006 Geiberger actually died, which proved somewhat anticlimactic in light of the elaborate mourning of his initial "passing.In 2008, the Los Angeles Cacophony mailing list was revived by a new member and a series of events derived from past Cacophony concepts announced. These events included Brides of March, Xmas in July, Caveman Picnic, the LA Marathon Zombie Stop, Santacon and a trip to San Pedro's Sunken City. Few old school Los Angeles Cacophonists participated in these events, which failed to reflect the creative energy which had made the group interesting in the first place."

Robert Smithson

"This resulted in the series of 'non-sites' in which earth and rocks collected from a specific area are installed in the gallery as sculptures, often combined with mirrors or glass. In September 1968, Smithson published the essay "A Sedimentation of the Mind: Earth Projects" in Artforum that promoted the work of the first wave of land art artists." 

"As well as works of art, Smithson produced a good deal of theoretical and critical writing, including the 2D paper work A Heap of Language, which sought to show how writing might become an artwork. In his essay "Incidents of Mirror-Travel in the Yucatan.For Smithson, however, it was not necessary that the deformation become a visual aspect of a landscape; by his anti-formalist logic, more important was the temporal scar worked over by natural or human intervention. He saw parallels to Olmsted's Central Park as a “sylvan” green overlay on the depleted landscape that preceded his Central Park.Defending himself against allegations that he and other earth artists “cut and gouge the land like Army engineers”, Smithson, in his own essay, charges that one of such opinions “failed to recognize the possibility of a direct organic manipulation of the land..” and would “turn his back on the contradictions that inhabit our landscapes” 

Maya Lin

"Lin's conception was to create an opening or a wound in the earth to symbolize the gravity of the loss of the soldiers. The design was initially controversial for what was an unconventional and non-traditional design for a war memorial. Opponents of the design also voiced objection because of Lin's Asian heritage.However, the memorial has since become an important pilgrimage site for relatives and friends of the American military casualties in Vietnam, and personal tokens and mementos are left at the wall daily in their memory.Maya Lin is one of the most prominent architects in the 21st century. Although she started out in the 20th century, her vision and focus was always on how the space needed to be in the future and what it meant to the people. She tried to focus less on how politics influenced design but more on what emotions the space would create and what it would symbolize to the user. Her belief in a space being connected and the transition from inside to outside being fluid, coupled with what a space means, has led her to create some very memorable designs. Along with architectural projects, Maya Lin also worked on several sculptures. Below is a list of Maya Lin's most significant works."

Joseph Beuys

"This was the beginning of what was to be a brief formal involvement with Fluxus, a loose international group of artists who championed a radical erosion of the boundaries of art, bringing aspects of creative practice outside of the institution and into the everyday. Although Beuys participated in a number of Fluxus events, it soon became clear that he viewed the implications of art’s economic and institutional framework differently. Indeed, whereas Fluxus was directly inspired by the radical Dada activities emerging during the First World War, Beuys in 1964 broadcast (from Second German Television Studio) a rather different message:His face was covered in honey and gold leaf, an iron slab was attached to his boot. In his arms he cradled a dead hare, into whose ear he mumbled muffled noises as well as explanations of the drawings that lined the walls. Such materials and actions had specific symbolic value for Beuys. For example, honey is the product of bees, and for Beuys (following Rudolf Steiner), bees represented an ideal society of warmth and brotherhood. Gold had its importance within alchemical enquiry, and iron, the metal of Mars, stood for a masculine principle of strength and connection to the earth. A photograph from the performance, in which Beuys is sitting with the hare, has been described "by some critics as a new Mona Lisa of the 20th century," though Beuys disagreed with the description."

Vanessa Beecroft

Vanessa Beecroft (born April 25, 1969) is an Italian
she living in LA.




"Beecroft's work is a fusion of conceptual issues and aesthetic concerns, focusing on large-scale performance art, usually involving live female models (often nude). At her performances, video recordings and photographs are made, to be exhibited as documentation of the performances, but also as separate works of art. The work and her conceptual approach is neither performance nor documentary, but something in between, and closer to Renaissance painting. She sets up a structure for the participants in her live events to create their own ephemeral composition. The performances are existential encounters between models and audience, their shame and their expectations. Each performance is made for a specific location and often references the political, historical, or social associations of the place where it is held. Beecroft’s work is deceptively simple in its execution, provoking questions around identity politics and voyeurism in the complex relationship between viewer, model and context."

"Still Death! Darfur Still Deaf? (2007)"

"Vanessa Beecroft's performances have been described as art, fashion, brilliant, terrible, evocative, provocative, disturbing, sexist, and empowering. The primary material in her work is the live female figure, which remains ephemeral, and separate. These women, mainly unclothed, similar, unified through details like hair color, or identical shoes, stand motionless, unapproachable and regimented in the space while viewers watch them. Neither performance nor documentary, Beecroft's live events are recorded through photography and film, but her conceptual approach is actually closer to painting: she makes contemporary versions of the complex figurative compositions that have challenged painters from the Renaissance onwards. Beecroft's more recent work has a slightly more theatrical approach—the uniforms are period clothing, not nudity, and some of her performances include food, while others have featured men in military attire."

Yoko Ono

This image describe about the age and race. For example "It was also a piece that touched on issues of gender and sexism as well as the greater, universal affliction of human suffering and loneliness. Ono performed this piece again in London and other venues, garnering drastically different attention depending on the audience. In Japan, the audience was shy and cautious. In London, the audience participators became zealous to get a piece of her clothing and became violent to the point where she had to be protected by security". It mean that she was a great human being.
"The Chambers Street series hosted some of Ono's earliest conceptual artwork including Painting to Be Stepped On, which was a scrap of canvas on the floor that became a completed artwork upon the accrual of footprints. Participants faced a moral dilemma presented by Ono that a work of art no longer needed to be mounted on a wall, inaccessible, but an irregular piece of canvas as low and dirty as to have to be completed by being stepped on". It describe human style live in the world.

Allan Kaprow

This image describe human being style live. For example "Assemblage,Environments, and Happenings (1966) presented the work of like-minded artists through both photographs and critical essays, and is a standard text in the field of performance art. Kaprow's Essays on the Blurring of Art and Life (1993), a collection of pieces written over four decades, has made his theories about the practice of art in the present day available to a new generation of artists and critics."
It describe about young teen and child. There are looking at the car design. For example "a term coined by Allan Kaprow in the late 1950s, define an art form in which an action is extracted from the environment, replacing the traditional art object with a performative gesture rooted in the movements of everyday life. Thanks to a generous grant from the Getty Foundation, MOCA has invited Los Angeles-area art schools, academic institutions, arts organizations, museums, and artist-run spaces to reinvent a diverse selection of Kaprow’s Happenings.". It describe the car like a human being driving.

Burning Man

This image describe live style of a human being. For example "Meanwhile, the beach burn was interrupted by the park police for not having a permit. After striking a deal to raise the Man but not to burn it, event organizers disassembled the effigy and returned it to the vacant lot where it had been built. Shortly thereafter, the legs and torso of the Man were chain-sawed and the pieces removed when the lot was unexpectedly leased as a parking lot". It mean that the Burning man will be a great understand of a human being.

For example "Thus the seed of Black Rock City was germinated, organized by Law and Mikel, based on Evans' idea, along with Harvey and James' symbolic man. The community grew by word of mouth alone. It consisted of participants only. There were no paid or scheduled performers or artists, no separation between art-space and living-space, no rules other than "Don't interfere with anyone else's immediate experience" and "no guns in central camp". It describe human being feeling because of the Burning Man.